Smith Studio
P.O. Box 19401
Birmingham, AL 35219
United States
sallypat

Lost, Remains Series, wax and oil on wood panel

Passage
In bed he stretches his arms, his legs, wind-up hands in the air keeping
himself alive. His feet never stop as he blows and whistles. We are thinking
he is going to die. But he doesn’t. He watches the big screen that sends him
visions while he marches to the music in his head and sings softly under his
breath, whistling to us to tell him which door.
“You’ll know we say. You’ll know.”
“Which door?” Whispering off into silence.
Uncomfortable we wish for the rattling of his breath. It doesn’t come.
She whispers to him, “Breathe. Breathe.”
Her eyes turn to me pleading with me to make him take a breath. Crazy, I
laugh. My super powers are gone. No longer equipped to heal I am silent.
A holy ghost enters and his breath becomes rattled with sound, the sound
of breathing. My mother sings. His soul lingers on her tongue waiting for
the last kiss. It could be months it could be days it could be moments.
Still the kiss waits.
Stealing Matter
A collection of poems about aging and death.
Cro-Magnon Fall
It was fall and she took a spill in memory of the season
assuming that she knew it was fall or autumn, the word
that she can never remember for the memory test which
would score her at a higher level and make her entry
back into the world an easier transition for those of us who
have stood daily vigils by her bed for two months now.
Swan diving, she crashed into a void where the tangle
in her brain tipped her right over into the peanut butter jar
and she stuck.
Stuck to the cells that transformed her speech into gibberish
and blacken both of her eyes until my brother could no longer
look upon her face and exited down the nearest hall to manage
pain for which there are no words.
“Something happened to me,” she repeats. I nod, I am tired
of saying yes. “It was really bad,” she says. I nod again
touching the ninety-one year old forehead where I washed
the blood from her face in memory of her Christ who washed
his disciples’ feet, cleansing them, restoring them.
My healing powers are elusive.
It was autumn and there would be no resurrections from this
grave. Thieves hung on either side of her having stolen gray
matter, selling it in the underground railroad to those in desperate
need.
She was Cro-Magnon woman. Winter was coming and she
needed furs and a safe cave to hide in.
Slipping into the hole where her mind has been, she hid there for
months, eating bison flesh and spewing words in unknown tongues
that made archeologists summon linguistic experts to decipher, notate
and publish in scientific journals for future generations to come
while converts made pilgrimages to see her.
Whispering in the entrance to her cave we heard them say, “This
is as bad as it gets.”
The den became unbearable as it was crowded with experts who
argued the state of their find. Sitters stayed stuck to walls hanging
like glassy eyed pieces of art while Cro-Magnon woman cleaved to
her cave not inching a toe, a finger or a nose outward, until an open
window spurred a breeze across her face and simple gestures were
made plain as the words, “I’m thirsty,” fell from her mouth and
made us live again.
Smith Studio
P.O. Box 19401
Birmingham, AL 35219
United States
sallypat